{"id":10989,"date":"2025-07-05T00:29:16","date_gmt":"2025-07-05T04:29:16","guid":{"rendered":"https:\/\/e-krc.org\/?post_type=article&#038;p=10989"},"modified":"2025-10-13T21:06:06","modified_gmt":"2025-10-14T01:06:06","slug":"when-art-is-tied-to-money","status":"publish","type":"article","link":"https:\/\/e-krc.org\/en\/article\/when-art-is-tied-to-money\/","title":{"rendered":"[Occasionally Away from the Editing Desk] When Art Is Tied to Money"},"content":{"rendered":"<iframe loading=\"lazy\" width=\"300\" height=\"200\" src=\"https:\/\/www.youtube.com\/embed\/iQqXjXbHPk4?si=AaSW9My4kp0jIIR4\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n\n\n\n<p>\u300c \u7136\u800c\u85dd\u8853\u7684\u672c\u8cea\u4e26\u4e0d\u662f\u5546\u54c1\uff0c\u4e5f\u5f9e\u4e0d\u8a72\u662f\u5546\u54c1\u3002\u300d\u5308\u7259\u5229\u570b\u5bf6\u7d1a\u92fc\u7434\u5bb6\u74e6\u85a9\u91cc\uff08Tam\u00e1s&nbsp;V\u00e1s\u00e1ry\uff09\u66fe\u5728\u63a5\u53d7\u8a2a\u554f\u6642\u9019\u9ebc\u8aaa\u3002<\/p>\n\n\n\n<p>As a content professional, I basically agree with what he said. After all, art is an expression of the creator\u2019s soul, and it calls for pure motives and inspiration\u2014the same goes for writing.\nBut it wasn\u2019t until the day I stepped into an exhibition that I realized: art being tied to money can actually be a very good thing!<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Help that involves both financial support and hands-on effort<\/h4>\n\n\n\n<p>On a below-freezing autumn day in 2024, I found myself at the National Gallery of Art in Washington, D.C., hoping that, for a moment away from the editing desk, I could begin to learn a different language of expression. As someone immersed daily in black-and-white text, I was curious: what kinds of stories might creators from different eras and regions tell\u2014through color, image, and the interplay of light and shadow?<\/p>\n\n\n\n<p>Besides, admission to the gallery is free.<\/p>\n\n\n\n<p>In the Italian galleries, I saw that since the Renaissance, even paintings rich in religious meaning had taken on a distinctly human touch, often incorporating landscapes familiar to the artists themselves. The Entombment of Christ (c. 1450) by Fra Angelico is one such example.<\/p>\n\n\n\n<p>Though Christ\u2019s suffering remains the visual focal point of the painting, the surrounding figures\u2014clothed in strikingly vivid colors\u2014display expressions of raw grief and anguish. Compared to the pale, expressionless body of Jesus, they almost steal the show. In the background, distant hills and winding streams unfold, making the crucified Lord\u2014now laid on the ground, about to be placed in the tomb\u2014appear utterly lowly. Towering behind them, the three stark crosses evoke a deep sense of gratitude: the Lord of heaven and earth took on flesh and gave His life for you and me. The cruel cross, astonishingly, has become the bridge of reconciliation between God and humankind.<\/p>\n\n\n\n<p>Also during the Renaissance, there was a growing emergence of personal works\u2014paintings simply titled Portrait of a Boy, Portrait of a Man. Who were these individuals? Judging by their clothing and bearing, they seemed to belong to a class of some means and influence. Could it be that they commissioned these portraits, hoping to leave behind an image of themselves for future generations? Much like the Medici family, who rose to power through banking and came to hold both wealth and influence, they also became generous patrons of art and artists.<\/p>\n\n\n\n<p>A \"patron,\" officially defined, is someone who supports a project or cause by offering help or financial backing. Put more bluntly\u2014they\u2019re the ones holding the purse strings. Thanks to these patrons who were willing to give both time and money\u2014whether by commissioning works or purchasing them\u2014artists were able to make a living and keep creating. As our magazine\u2019s art director and professional painter, Chris Chou, aptly put it: \u201cYou need funds to grow talent!\u201d<\/p>\n\n\n\n<p>This truth was even more powerfully affirmed in another exhibition I saw that day.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Boundless Creativity<\/h4>\n\n\n\n<p>That day at the National Gallery of Art, I followed a guide into another exhibition\u2014\u201cParis, 1874.\u201d<strong><sup>1<\/sup><\/strong><strong><\/strong><\/p>\n\n\n\n<p>1874\u2014more than 80 years after the French Revolution, with the Third Republic just beginning. What could have happened in the art world that year so momentous it warranted a special exhibition?<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https:\/\/vkl.umo.mybluehost.me\/wp-content\/uploads\/2025\/06\/\u85dd\u8853-1.jpg\" alt=\"\" class=\"wp-image-10993\"\/><figcaption class=\"wp-element-caption\">The Entombment of Christ<br>\u25b2 Image source:<a href=\"https:\/\/www.nga.gov\/collection\/art-object-page.401.html\">https:\/\/www.nga.gov\/collection\/art-object-page.401.html<\/a>, <br>Courtesy National Gallery of Art, Washington DC<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https:\/\/vkl.umo.mybluehost.me\/wp-content\/uploads\/2025\/06\/\u85dd\u8853-2.jpg\" alt=\"\" class=\"wp-image-10992\"\/><figcaption class=\"wp-element-caption\">The Emperor Napoleon in His Study at the Tuileries<br>\u25b2 Image source:<a href=\"http:\/\/www.nga.gov\/collection\/art-object-page.46114.html\">https:\/\/www.nga.gov\/collection\/art-object-page.46114.html,<\/a> <br>Courtesy National Gallery of Art, Washington DC<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>The guide pointed to a portrait\u2014on the wall, the clock read 4:13; a candle still burned on the desk. Whether the poised figure had never gone to bed or had already risen and donned his full military regalia, he showed no sign of weariness. The title: The Emperor Napoleon in His Study at the Tuileries (Jacques-Louis David, 1812).<\/p>\n\n\n\n<p>At the time, gaining a foothold in the French art world meant being accepted by the Salon. And the kind of paintings the Salon favored were just like The Emperor Napoleon\u2014featuring prominent (and often grand) figures, elevated ideologies, and works that were thoroughly politically correct.<\/p>\n\n\n\n<p>Once a painter and their work were accepted into the Salon, their reputation and value would instantly soar. But then, one has to ask: is such work truly art\u2014or merely propaganda? Can genuine art really be confined within prescribed boundaries?<\/p>\n\n\n\n<p>During that period, some painters were already seeking to break free\u2014experimenting with layered brushstrokes to form images and capturing everyday moments. Women and children increasingly became central subjects. This marked the beginning of what would later be known as Impressionism.\n\nSuch works defied the Salon\u2019s standards and were, unsurprisingly, rejected time and again. So, led by artists like Claude Monet, \u00c9douard Manet, Paul C\u00e9zanne, and Pierre-Auguste Renoir, they formed the Soci\u00e9t\u00e9 Anonyme\u2014the \u201cAnonymous Society\u201d\u2014and held their own exhibition in Paris in 1874.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">A Colorful Revolution<\/h4>\n\n\n\n<p>What\u2019s truly unfortunate is that this bold, tradition-defying exhibition drew only around 3,500 visitors\u2014many of whom were friends and family of the artists themselves. In contrast, the Salon that same year attracted over 500,000 attendees. The reviews were far from kind, and only a handful of paintings were sold.<\/p>\n\n\n\n<p>As a result, the Soci\u00e9t\u00e9 Anonyme disbanded.<\/p>\n\n\n\n<p>Yet the artists did not abandon their original vision\u2014they continued to paint what they truly wanted to paint.\nBut if no one buys their work, how can an artist survive?<\/p>\n\n\n\n<p>Now appeared Mary Cassatt\u2014an American painter educated in Europe! Her work had once been accepted by the Salon, and later rejected. Deeply drawn to Impressionism, she joined this group of marginalized artists at the invitation of Edgar Degas.<\/p>\n\n\n\n<p>Perhaps it was Mary Cassatt\u2019s upbringing\u2014her father a successful businessman and her mother from a family with a financial background\u2014that gave her the savvy to sell art. She didn\u2019t just sell her own paintings; she also connected her struggling artist friends with French art dealer Paul Durand-Ruel. Together, they opened up new markets beyond France\u2014especially in the New World, where newly acquired wealth was seeking cultural capital.<\/p>\n\n\n\n<p>This internationally minded \u201cart broker\u201d recognized the openness of the American spirit and their willingness to embrace what was then considered \u201cavant-garde.\u201d He began importing Impressionist works in large quantities. As he famously put it: \u201cThe Americans don\u2019t laugh\u2014they buy!\u201d<strong><sup>2<\/sup><\/strong><\/p>\n\n\n\n<p>As a result, Impressionist, Realist, and Cubist artists managed to survive\u2014and today, their works can be admired in major art museums across the United States. The National Gallery of Art alone holds an impressive collection of iconic Impressionist pieces, including Monet\u2019s Woman with a Parasol (1875), The Japanese Footbridge (1899), and The Artist\u2019s Garden at V\u00e9theuil (1881).<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https:\/\/vkl.umo.mybluehost.me\/wp-content\/uploads\/2025\/06\/\u85dd\u8853-3.jpg\" alt=\"\" class=\"wp-image-10995\"\/><figcaption class=\"wp-element-caption\">\u3008\u6490\u6d0b\u5098\u7684\u5973\u4eba\u3009\u3002<br>\u25b2 Image source:<a href=\"https:\/\/www.nga.gov\/collection\/art-object-page.61379.html\">https:\/\/www.nga.gov\/collection\/art-object-page.61379.html<\/a>, <br>Courtesy National Gallery of Art, Washington DC<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https:\/\/vkl.umo.mybluehost.me\/wp-content\/uploads\/2025\/06\/\u85dd\u8853-4.jpg\" alt=\"\" class=\"wp-image-10997\"\/><figcaption class=\"wp-element-caption\">Variations in Flesh Colour and Green - The Balcony<br>\u25b2 Image source:<a href=\"https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_F1892.23a-b\/\">https:\/\/asia.si.edu\/explore-art-culture\/collections\/search\/edanmdm:fsg_F1892.23a-b\/<\/a>, <br>Courtesy National Museum of Asian Art, Washington DC<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>Perhaps it was the American \u201cspirit of revolution\u201d that made them bold enough\u2014or even determined\u2014not to follow tradition. Whatever the motivation, we truly owe a debt of gratitude to those who chose to buy the art!<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">A Gilded Resistance<\/h4>\n\n\n\n<p>On a brilliantly blooming spring morning in 2025, braving the lingering chill, I continued my pursuit of visual delight and stepped into the National Museum of Asian Art, also in Washington, D.C. Once again, I joined a guided tour, first strolling through exquisite Japanese screen paintings, and then entering the gallery dedicated to James McNeill Whistler...<\/p>\n\n\n\n<p>Wait a minute\u2014what is the work of this American painter doing in a museum of Asian art?<\/p>\n\n\n\n<p>According to the guide, many of the museum\u2019s holdings came from American industrialist Charles Lang Freer. He not only donated his private collection but also funded the construction of the museum itself. And the one who introduced Freer to Asian art, encouraging him to collect it, was none other than James McNeill Whistler\u2014who had spent much of his life in England.<\/p>\n\n\n\n<p>Whistler was very much a rule-breaker himself. His paintings were often soft, atmospheric, and intentionally indistinct\u2014titled with names like Nocturne or Variations in Flesh Colour and Green \u2013 The Balcony (1864\u20131870). Naturally, such works were far from what the mainstream Salon would embrace. The fact that Whistler could continue to make a living through his art was largely thanks to the patronage of British shipping magnate Frederick Richards Leyland.<\/p>\n\n\n\n<p>As the story goes, Leyland was renovating his dining room and chose to place Whistler\u2019s The Princess from the Land of Porcelain above the fireplace as the centerpiece of the entire space. The architect also designed numerous open shelves to display Leyland\u2019s collection of blue-and-white porcelain. But Whistler wasn\u2019t satisfied.<\/p>\n\n\n\n<p>The artist took matters into his own hands\u2014brush in hand, he transformed the entire room. Against a peacock-blue background, he painted intricate murals with gold leaf, leaving no surface untouched. The space became, quite literally, a gilded splendor.\n\nUnfortunately, when Whistler later requested payment, Leyland refused to honor it: Did I ever say I wanted something so extravagant?\nAnd just like that, the two parted ways\u2014over money.<\/p>\n\n\n\n<p>But one wall of the dining room remained bare. Whistler picked up his brush once more and painted two shimmering peacocks in brilliant gold\u2014one with its feathers fully fanned, standing triumphantly atop scattered gold coins, screeching at the other. What a scene\u2014an opulent quarrel of gold and glory!\n\nHe titled the mural Art and Money.\nWith that final stroke, Whistler walked away from the now-famous \u201cPeacock Room,\u201d and from his patron\u2014no longer allies, but strangers.<strong><sup>3<\/sup><\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"672\" src=\"https:\/\/vkl.umo.mybluehost.me\/wp-content\/uploads\/2025\/06\/\u85dd\u8853-5-resize-1-1024x672.jpg\" alt=\"\" class=\"wp-image-11003\" srcset=\"https:\/\/e-krc.org\/wp-content\/uploads\/2025\/06\/\u85dd\u8853-5-resize-1-1024x672.jpg 1024w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/06\/\u85dd\u8853-5-resize-1-300x197.jpg 300w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/06\/\u85dd\u8853-5-resize-1-768x504.jpg 768w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/06\/\u85dd\u8853-5-resize-1-50x33.jpg 50w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/06\/\u85dd\u8853-5-resize-1-1600x1051.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">The Peacock Room<br>\u25b2 Image source:<a href=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/4\/46\/The_Peacock_Room_%282%29.jpg\">https:\/\/upload.wikimedia.org\/wikipedia\/commons\/4\/46\/The_Peacock_Room_%282%29.jpg<\/a><\/figcaption><\/figure>\n<\/div>\n\n\n<h4 class=\"wp-block-heading\">Patronage = Affirmation<\/h4>\n\n\n\n<p>It\u2019s not just painters\u2014musicians have needed patrons too. When composer Franz Schubert had no income from performances and little interest from publishers, a group of friends hosted small concerts and recitals in their homes, salon-style, to help raise his profile. They also supported him financially from time to time. These gatherings became so frequent that both the circle of friends and the events themselves came to be known as the \u201cFriends of Schubert.\u201d<\/p>\n\n\n\n<p>When I occasionally step away from my desk\u2014covered in black-and-white text\u2014and walk into a museum bursting with color, I\u2019m reminded of this:\nArtists, more often than not, are able to create beauty and preserve glimpses of nature and humanity because they receive financial support. It\u2019s that support that frees them from worry and allows them to focus on their craft.\n\nWhen art is tied to money\u2014when tangible resources become a catalyst for intangible creativity\u2014it can, without a doubt, be a good thing.\nAfter all, patronage is also a way of saying: I believe in you.<\/p>\n\n\n\n<p>That evening, as I stepped out of the National Gallery of Art, the city lights were already aglow. I caught the metro to Chinatown and shared a bowl of wonton soup with my husband.\n\nThrough the rising steam\u2014rich with the scent of pepper and sesame oil\u2014I looked at the man who had never once said, \u201cWhy don\u2019t you find a proper job?\u201d or \u201cWait until the kids are grown.\u201d Even when neither of us knew what I would write, or how long I\u2019d be writing, he simply kept supporting me.\n\nAnd from the bottom of my heart, I said,\n\u201cThank you for being my patron.\u201d<img loading=\"lazy\" decoding=\"async\" width=\"12\" height=\"12\" src=\"blob:https:\/\/vkl.umo.mybluehost.me\/a2bf0682-77c5-4eee-917a-5c48df3c089e\"><\/p>\n\n\n\n<p>Note:<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>For more information about the \u201cParis, 1874\u201d exhibition, please visit:<a href=\" https:\/\/www.nga.gov\/exhibitions\/2024\/paris-1874-impressionist-moment.html\"> https:\/\/www.nga.gov\/exhibitions\/2024\/paris-1874-impressionist-moment.html<\/a>.<\/li>\n\n\n\n<li>For more information about the life of art dealer Paul Durand-Ruel, please refer to:<a href=\"https:\/\/en.wikipedia.org\/wiki\/Paul_Durand-Ruel\">https:\/\/en.wikipedia.org\/wiki\/Paul_Durand-Ruel<\/a>.<\/li>\n\n\n\n<li>For more about the story of the \u201cPeacock Room,\u201d please refer to:<a href=\"https:\/\/www.splendidtable.org\/story\/2017\/07\/06\/betrayal-in-blue-the-story-of-the-world-famous-peacock-room\"> https:\/\/www.splendidtable.org\/story\/2017\/07\/06\/betrayal-in-blue-the-story-of-the-world-famous-peacock-room<\/a>, and<a href=\"https:\/\/asia.si.edu\/explore-art-culture\/interactives\/peacock-room\/making-the-peacock-room\/\">https:\/\/asia.si.edu\/explore-art-culture\/interactives\/peacock-room\/making-the-peacock-room\/<\/a>.<\/li>\n<\/ol>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-theme-palette-2-color has-alpha-channel-opacity 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data-slider-hover-pause=\"false\" data-slider-auto=\"false\"  data-slider-auto-scroll=\"false\" data-slider-speed=\"10060\" data-slider-gap=\"21\" data-slider-gap-tablet=\"21\" data-slider-gap-mobile=\"21\" data-slider-gap-unit=\"px\" data-show-pause-button=\"false\" data-item-selector=\".kt-post-masonry-item\" aria-label=\"Post Carousel\"><div class=\"kadence-splide-slider-init splide__track\"><ul class=\"kadence-splide-slider-wrap kt-post-grid-wrap\" data-columns-xxl=\"3\" data-columns-xl=\"3\" data-columns-md=\"3\" data-columns-sm=\"2\" data-columns-xs=\"1\" data-columns-ss=\"1\"><li class=\"kt-post-slider-item post-11095 article type-article status-publish has-post-thumbnail hentry issue-issue-79 section-kingdom-communication\"><article class=\"kt-blocks-post-grid-item\"><div class=\"kt-blocks-post-grid-item-inner-wrap kt-feat-image-align-Top kt-feat-image-mobile-align-top kb-post-footer-bottom-align\"><div class=\"kadence-post-image\"><div class=\"kadence-post-image-intrisic kt-image-ratio-nocrop\" style=\"padding-bottom:40%;\"><div class=\"kadence-post-image-inner-intrisic\"><a aria-hidden=\"true\" tabindex=\"-1\" role=\"presentation\" href=\"https:\/\/e-krc.org\/en\/article\/thing-i-am-most-thankful-for\/\" aria-label=\"The thing I\u2019m most thankful for in my life\" class=\"kadence-post-image-inner-wrap\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"120\" src=\"https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/79-Lilys-Letter_banner_en-300x120.png\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" srcset=\"https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/79-Lilys-Letter_banner_en-300x120.png 300w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/79-Lilys-Letter_banner_en-768x307.png 768w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/79-Lilys-Letter_banner_en-50x20.png 50w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/79-Lilys-Letter_banner_en-18x7.png 18w, 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class=\"kt-blocks-post-footer\"><div class=\"kt-blocks-post-footer-left\"><\/div><div class=\"kt-blocks-post-footer-right\"><\/div><\/footer><\/div><\/div><\/article><\/li><li class=\"kt-post-slider-item post-11067 article type-article status-publish has-post-thumbnail hentry issue-issue-79 section-kingdom-stewardship\"><article class=\"kt-blocks-post-grid-item hide-on-js\"><div class=\"kt-blocks-post-grid-item-inner-wrap kt-feat-image-align-Top kt-feat-image-mobile-align-top kb-post-footer-bottom-align\"><div class=\"kadence-post-image\"><div class=\"kadence-post-image-intrisic kt-image-ratio-nocrop\" style=\"padding-bottom:40%;\"><div class=\"kadence-post-image-inner-intrisic\"><a aria-hidden=\"true\" tabindex=\"-1\" role=\"presentation\" href=\"https:\/\/e-krc.org\/en\/article\/from-novice-to-leader\/\" aria-label=\"[Workplace Habits] Series \u278a From Novice to Leader\" class=\"kadence-post-image-inner-wrap\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"120\" 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Denson\uff09\u63a1\u8a2a\uff0f\u96e8\u5f80 \u300c\u793e\u6703\u516c\u7fa9\u300d\uff08social ju&#8230;<\/div><footer class=\"kt-blocks-post-footer\"><div class=\"kt-blocks-post-footer-left\"><\/div><div class=\"kt-blocks-post-footer-right\"><\/div><\/footer><\/div><\/div><\/article><\/li><li class=\"kt-post-slider-item post-11307 article type-article status-publish has-post-thumbnail hentry issue-issue-79 section-project-arctos_articles\"><article class=\"kt-blocks-post-grid-item hide-on-js\"><div class=\"kt-blocks-post-grid-item-inner-wrap kt-feat-image-align-Top kt-feat-image-mobile-align-top kb-post-footer-bottom-align\"><div class=\"kadence-post-image\"><div class=\"kadence-post-image-intrisic kt-image-ratio-nocrop\" style=\"padding-bottom:31.333333333333%;\"><div class=\"kadence-post-image-inner-intrisic\"><a aria-hidden=\"true\" tabindex=\"-1\" role=\"presentation\" href=\"https:\/\/e-krc.org\/en\/article\/79-arctos-letter-from-the-editor\/\" aria-label=\"The thing I\u2019m most thankful for in my life\"55 class=\"kadence-post-image-inner-wrap\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"94\" src=\"https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_From-the-Editor_tw_2-300x94.png\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" srcset=\"https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_From-the-Editor_tw_2-300x94.png 300w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_From-the-Editor_tw_2-768x240.png 768w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_From-the-Editor_tw_2-50x16.png 50w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_From-the-Editor_tw_2-18x6.png 18w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_From-the-Editor_tw_2-400x125.png 400w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_From-the-Editor_tw_2-600x188.png 600w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_From-the-Editor_tw_2.png 800w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/div><\/div><\/div><div class=\"kt-blocks-post-grid-item-inner\"><header><h2 class=\"entry-title\"><a href=\"https:\/\/e-krc.org\/en\/article\/79-arctos-letter-from-the-editor\/\">Issue 79 - Turbulence - Letter from the Editor<\/a><\/h2><div class=\"kt-blocks-post-top-meta\"><\/div><\/header><div class=\"entry-content\">\u89aa\u611b\u7684\u8b80\u8005\u5011, 2007 \u5e74\uff0c\u91d1\u30fb\u514b\u840a\u9580\u7279\uff08Kim Clement\uff09\u66fe\u9810\u8a00\u5510\u7d0d\u30fb\u5ddd\u666e\uff08Do&#8230;<\/div><footer class=\"kt-blocks-post-footer\"><div class=\"kt-blocks-post-footer-left\"><\/div><div class=\"kt-blocks-post-footer-right\"><\/div><\/footer><\/div><\/div><\/article><\/li><li class=\"kt-post-slider-item post-11196 article type-article status-publish has-post-thumbnail hentry issue-issue-79 section-project-arctos_articles\"><article class=\"kt-blocks-post-grid-item hide-on-js\"><div class=\"kt-blocks-post-grid-item-inner-wrap kt-feat-image-align-Top kt-feat-image-mobile-align-top kb-post-footer-bottom-align\"><div class=\"kadence-post-image\"><div class=\"kadence-post-image-intrisic kt-image-ratio-nocrop\" style=\"padding-bottom:31.333333333333%;\"><div class=\"kadence-post-image-inner-intrisic\"><a aria-hidden=\"true\" tabindex=\"-1\" role=\"presentation\" href=\"https:\/\/e-krc.org\/en\/article\/a-lesson-from-two-emperors\/\" aria-label=\"The thing I\u2019m most thankful for in my life\"66 class=\"kadence-post-image-inner-wrap\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"94\" src=\"https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_Lesson-from-Two-Emperors_banner.png\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" srcset=\"https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_Lesson-from-Two-Emperors_banner.png 800w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_Lesson-from-Two-Emperors_banner-300x94.png 300w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_Lesson-from-Two-Emperors_banner-768x240.png 768w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_Lesson-from-Two-Emperors_banner-50x16.png 50w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_Lesson-from-Two-Emperors_banner-18x6.png 18w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_Lesson-from-Two-Emperors_banner-400x125.png 400w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_Lesson-from-Two-Emperors_banner-600x188.png 600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/div><\/div><\/div><div class=\"kt-blocks-post-grid-item-inner\"><header><h2 class=\"entry-title\"><a href=\"https:\/\/e-krc.org\/en\/article\/a-lesson-from-two-emperors\/\">A Lesson from Two Emperors<\/a><\/h2><div class=\"kt-blocks-post-top-meta\"><\/div><\/header><div class=\"entry-content\">\u5f9e\u897f\u5143 303 \u5e74\u5230 311 \u5e74\uff0c\u6771\u7f85\u99ac\u5e1d\u570b\u7684\u5967\u53e4\u65af\u90fd\u7687\u5e1d\u6234\u514b\u91cc\u5148\uff08Diocletian\uff09&#8230;<\/div><footer class=\"kt-blocks-post-footer\"><div class=\"kt-blocks-post-footer-left\"><\/div><div class=\"kt-blocks-post-footer-right\"><\/div><\/footer><\/div><\/div><\/article><\/li><li class=\"kt-post-slider-item post-11195 article type-article status-publish has-post-thumbnail hentry issue-issue-79 section-project-arctos_articles\"><article class=\"kt-blocks-post-grid-item hide-on-js\"><div class=\"kt-blocks-post-grid-item-inner-wrap kt-feat-image-align-Top kt-feat-image-mobile-align-top kb-post-footer-bottom-align\"><div class=\"kadence-post-image\"><div class=\"kadence-post-image-intrisic kt-image-ratio-nocrop\" style=\"padding-bottom:31.333333333333%;\"><div class=\"kadence-post-image-inner-intrisic\"><a aria-hidden=\"true\" tabindex=\"-1\" role=\"presentation\" href=\"https:\/\/e-krc.org\/en\/article\/leaning-into-church-future\/\" aria-label=\"The thing I\u2019m most thankful for in my life\"77 class=\"kadence-post-image-inner-wrap\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"94\" src=\"https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_Leanind-into-Church-Future_banner.png\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" srcset=\"https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_Leanind-into-Church-Future_banner.png 800w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_Leanind-into-Church-Future_banner-300x94.png 300w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_Leanind-into-Church-Future_banner-768x240.png 768w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_Leanind-into-Church-Future_banner-50x16.png 50w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_Leanind-into-Church-Future_banner-18x6.png 18w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_Leanind-into-Church-Future_banner-400x125.png 400w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_Leanind-into-Church-Future_banner-600x188.png 600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/div><\/div><\/div><div class=\"kt-blocks-post-grid-item-inner\"><header><h2 class=\"entry-title\"><a href=\"https:\/\/e-krc.org\/en\/article\/leaning-into-church-future\/\">Leaning into Church Future<\/a><\/h2><div class=\"kt-blocks-post-top-meta\"><\/div><\/header><div class=\"entry-content\">\u5c0d\u73fe\u4eca\u8a31\u591a\u57fa\u7763\u5f92\u800c\u8a00\uff0c\u4e16\u754c\u4f3c\u4e4e\u6b63\u8655\u65bc\u4e00\u500b\u52d5\u76ea\u4e0d\u5b89\u7684\u968e\u6bb5\u3002\u5c0d\u67d0\u4e9b\u4eba\u4f86\u8aaa\uff0c\u9019\u662f\u4e16\u754c\u5728\u7d93\u6b77\u57fa\u7763\u5b8c&#8230;<\/div><footer class=\"kt-blocks-post-footer\"><div class=\"kt-blocks-post-footer-left\"><\/div><div class=\"kt-blocks-post-footer-right\"><\/div><\/footer><\/div><\/div><\/article><\/li><li class=\"kt-post-slider-item post-11194 article type-article status-publish has-post-thumbnail hentry issue-issue-79 section-project-arctos_articles\"><article class=\"kt-blocks-post-grid-item hide-on-js\"><div class=\"kt-blocks-post-grid-item-inner-wrap kt-feat-image-align-Top kt-feat-image-mobile-align-top kb-post-footer-bottom-align\"><div class=\"kadence-post-image\"><div class=\"kadence-post-image-intrisic kt-image-ratio-nocrop\" style=\"padding-bottom:31.333333333333%;\"><div class=\"kadence-post-image-inner-intrisic\"><a aria-hidden=\"true\" tabindex=\"-1\" role=\"presentation\" href=\"https:\/\/e-krc.org\/en\/article\/things-you-have-heard-from-the-beginning\/\" aria-label=\"The thing I\u2019m most thankful for in my life\"88 class=\"kadence-post-image-inner-wrap\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"94\" src=\"https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_The-Thing-You-Have-Heard-From-the-Beginning_banner.png\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" srcset=\"https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_The-Thing-You-Have-Heard-From-the-Beginning_banner.png 800w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_The-Thing-You-Have-Heard-From-the-Beginning_banner-300x94.png 300w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_The-Thing-You-Have-Heard-From-the-Beginning_banner-768x240.png 768w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_The-Thing-You-Have-Heard-From-the-Beginning_banner-50x16.png 50w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_The-Thing-You-Have-Heard-From-the-Beginning_banner-18x6.png 18w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_The-Thing-You-Have-Heard-From-the-Beginning_banner-400x125.png 400w, https:\/\/e-krc.org\/wp-content\/uploads\/2025\/07\/Arctos-79_The-Thing-You-Have-Heard-From-the-Beginning_banner-600x188.png 600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/div><\/div><\/div><div class=\"kt-blocks-post-grid-item-inner\"><header><h2 class=\"entry-title\"><a href=\"https:\/\/e-krc.org\/en\/article\/things-you-have-heard-from-the-beginning\/\">The Things You Have Heard from the Beginning<\/a><\/h2><div class=\"kt-blocks-post-top-meta\"><\/div><\/header><div class=\"entry-content\">\u5728\u98a8\u66b4\u7576\u4e2d\uff0c\u6211\u5011\u5f88\u5bb9\u6613\u53ea\u76ef\u8457\u72c2\u98a8\u8207\u9a5a\u6fe4\u99ed\u6d6a\u3002\u5728\u6587\u5316\u8207\u7d93\u6fdf\u5287\u70c8\u52d5\u76ea\u7684\u6642\u523b\uff0c\u6211\u5011\u4e5f\u5f88\u81ea\u7136\u5730\u6703\u8a66&#8230;<\/div><footer class=\"kt-blocks-post-footer\"><div class=\"kt-blocks-post-footer-left\"><\/div><div class=\"kt-blocks-post-footer-right\"><\/div><\/footer><\/div><\/div><\/article><\/li><\/ul><\/div><\/div><\/div><!-- .wp-block-kadence-postgrid -->\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>\u300c 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